By Helmut SCHMITZ (Editor), Helmut SCHMITZ
The re-emergence of the difficulty of wartime discomfort to the fore of German public discourse represents the best shift in German reminiscence tradition because the Historikerstreit of the Eighties. The (international) awareness and debates prompted by means of, for instance, W.G. Sebald's Luftkrieg und Literatur, G??nter Grass's Im Krebsgang, J?¶rg Friedrich's Der model testify to a transformation in concentration clear of the sufferers of nationwide Socialism to the tense adventure of the 'perpetrator collective' and its legacies. the amount brings jointly German, English and Israeli literary and movie students and historians addressing concerns surrounding the illustration of German wartime being affected by the speedy post-war interval to the current in literature, movie and public commemorative discourse. cut up into 4 sections, the amount discusses the illustration of Germans as sufferers in post-war literature and movie, the present reminiscence politics of the Bund der Vertriebenen, the general public commemoration of the air raids on Hamburg and Dresden and their illustration in movie, images, historiography and literature, the effect and reception of W.G. Sebald's Luftkrieg und Literatur, the illustration of flight and expulsion in modern writing, the matter of empathy in representations of Germans as sufferers and the illustration of agony and nationwide Socialism in Oliver Hirschbiegel's movie Der Untergang. desk of Contents** Introduction:** Helmut SCHMITZ: The go back of Wartime pain in modern German reminiscence tradition, Literature and Film** 1. The Post-War Period** Gregor STREIM: Germans within the Lager. reviews and Narratives approximately Imprisonment in Post-War Allied Internment Camps** Hans-Joachim HAHN: 'Die, von denen guy erz?¤hlt hat, dass sie die kleinen Kinder schlachten.' Deutsche**Leiderfahrung und Bilder von Juden in der deutschen Kultur nach 1945. Zu einigen Texten Wolfgang Weyrauchs** Helen WOLFENDEN: The illustration of Wehrmacht squaddies as sufferers in Post-War German Fi
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Additional info for A Nation of Victims? Representations of German Wartime Suffering from 1945 to the Present (German Monitor 67)
Likewise, the genre of internment narratives can only with difficulty be differentiated from the much larger genre of reports and narratives about war captivity, as becomes clear with respect to Tumler’s novel.
22 See Norbert Frei, ‘Gefühlte Geschichte,’ DIE ZEIT, 21 October, 2004. See also Fulda, p. 59. 23 Aleida Assmann, Der lange Schatten der Vergangenheit, p. 194. html. Aleida Assmann refers in this context to the ‘Knoppisierung der Vergangenheit, Der lange Schatten der Vergangenheit, p. 214. , German Literature in the Age of Globalisation, Birmingham: University of Birmingham Press, 2004, pp. 229-246 (here: p. 237). Aleida Assmann speaks of a ‘transnationale Erinnerungsgemeinschaft’ that establishes the Holocaust in western states as a common point of reference, Der lange Schatten der Vergangenheit, p.
During the Third Reich he worked in teacher training. He edited the series ‘Lesebogen für die höhere Schule im Dritten Reich’ and was made a National Socialist lecturer at the Lehrerhochschule Breslau in 1941. 21 The first Italian edition of Il mondo piccolo de ‘Don Camillo’ was published in 1948. 22 Venatier, Der Major und die Stiere, p. 345. , p. 337. , p. 65. 25 Norbert Frei, Vergangenheitspolitik. Die Anfänge der Bundesrepublik und die NSVergangenheit, dtv: Munich, 1999 [first 1996], p. 14.