By Drew Tucker
Designed for video-production pros, ultimate lower Server units the traditional for intuitive media asset administration, making it effortless to regulate huge collections of media documents successfully. during this Apple-authorized reference advisor, procedure integrator Drew Tucker takes you on a accomplished journey of the software program, masking every thing from instruments for monitoring, reviewing, and approving jobs to automating complicated sequences of initiatives in a hectic submit setting. alongside the best way, Tucker stocks crucial workflows that might shave hours out of your post-production jobs. You’ll study suggestions for looking, cataloging, and discovering the fitting asset fast, in addition to the way to deal with huge amounts of real-time HD video, audio, and nonetheless snapshot resources in a fast moving creation atmosphere. directors will discover a accomplished evaluation of ways to establish and configure this strong collaboration device, tips to customise it to serve person websites, and the way to automate workflows and deal with garage destinations, clients, and teams. The consultant presents finished assurance of the hot positive aspects in ultimate reduce Server 1.5 together with a powerful edit proxy workflow, help for nonetheless sequences and creation hierarchies. DVD-ROM comprises lesson and media files Focused classes take you step-by-step via real-world projects Accessible writing variety places professional teachers at your side Ample illustrations assist you grasp recommendations fast Lesson pursuits and time estimates assist you plan your time Chapter overview questions summarize what you’ve discovered and assist you arrange for the Apple seasoned certification examination
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Extra info for Apple Pro Training Series: Final Cut Server 1.5
Click Choose. Preparing Final Cut Server 7 Click Continue. 8 Leave “Enable as an Archive Device” deselected and click Continue. An archive device is a special type of device that is flagged by Final Cut Server to allow for the archiving of assets. You’ll learn more about creating archive devices in a later lesson. NOTE Ǡ The Scan Settings page that appears allows you to create a schedule for automatic cataloging of the device. In this exercise, you will create a scan to catalog new media files ingested to this device by Final Cut Pro.
Both items now appear in the Selected list on the left. 19 Click Save Changes. Close the Administration window and log out of Final Cut Server. You’re now ready to begin ingesting assets and have the Final Cut Pro Log and Transfer and P2 metadata automatically mapped to Final Cut Server. USER ̄ Assigning the Scratch Disk to a Scanned Device Before you ingest clips into Final Cut Pro, you’ll need to configure some settings for Final Cut Pro. You’ll set the capture scratch location for Final Cut Pro to the device you created in the earlier exercise.
For Clip Name, enter ducati1. For Scene, enter 7; for Shot/Take, 2; for Angle, A; and for Log Note, enter Initial Ducati clip. Finally, select the Good checkbox to the right of the Log Note field. Typing in this metadata allows you to find your clips more quickly in Final Cut Server, as you will have more search terms. You can enter your own values for most of the Log and Transfer metadata fields, but remember that Clip Name will be the filename that is given to the media being logged and transferred.