By Samuel Fisher Dodson
Berryman's Henry: residing on the Intersection of want and artwork deals students and scholars the 1st thorough and well-researched motor vehicle into John Berryman's epic poem The Dream Songs. via a detailed interpreting of the textual content, an exam of the historical past of its feedback and a few of Berryman's letters, notes, and pertinent manuscripts, Sam Dodson deals the reader a pretty good start line to understand the presiding constitution and thematic concentration of this American vintage. This constitution, because of the poet's crafting and the poem's inner development, is illustrated within the textual content by means of greater than thirty reproductions of a few of the Dream music drafts in growth. No latest severe paintings examines anyplace close to the variety of person Dream Songs as this reader's advisor, with a view to permit scholars and lecturers to go into Berryman's tough poem with self belief and a formal experience of path. Its function is to supply the start reader and the student with a map for drawing close this massive paintings and discovering their approach via its elegiac constitution and appreciating its cohesion. a detailed examine the poem's language and stylistic concepts, epic features and author's poetics, and such a lot specifically the elegiac flow of the poem, will let even the beginner reader to go into Henry's global. The elegies as a complete give you the notice of mourning that's on the middle of Berryman's epic.
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Extra info for Berryman's Henry : living at the intersection of need and art
Conarroe explains, The vitality, grave comedy, and outright buffoonery of many songs vitiate against an uncritical acceptance of the nightmares they contain. Like those Romantic odes on dejection that by their existence give a lie to the assertion that the sufferer is rendered incapable of creation, many of these songs, in their wit and high spirits, ward off the horror that is their source. 85 Henry’s language informs the message. By mixing high and low words, common expressions, and poetic phrases, and by novel formulations of syntax and pronominal antecedence, Henry orders his world to attention and often to clarity.
Michael Sprinker notes, “Hopkins’s stylistic achievement is a reorientation of the patterns of energy in the English poetic line that causes meaning to burst forth, explode, from concentration of rhythmic and lexical power in a single syllable, an 101 Paul Mariani, “The Consoling, Terrifying Presence of Hopkins,” Renascence (Fall 1989/Winter 1990), 15. 102 Dream Songs, 399. 103 J. Hillis Miller, The Linguistic Moment: From Wordsworth to Stevens, Princeton, 1985, 252. 104 Quoted in Further Letters of Gerard Manley Hopkins, including His Correspondence with Coventry Patmore, ed.
His pride is in check as he admits that he has studied the “Word” but does not “understand” God’s plan. Paradoxically, he does presume the existence of a plan and feels doubt in such an assumption. ”111 In the sonnet “Thou art indeed just, Lord,” Hopkins also questions God’s ways, at least his worldly perception of them. He 106 Michael Sprinker, “A Counterpoint to Dissonance”: The Aesthetics and Poetry of Gerard Manley Hopkins, Baltimore, 1980, 114. 107 Dream Songs, 9. , 366. , 140. 110 Gerard Manley Hopkins, 144.